1988 - Tough Cop (F. Puzon Film Enterprises)
[sometimes listed as "Tough Cops"]
Director "Dominic Elmo Smith"/Eddie Rodriguez Writer Bobby A. Suarez Producer Pio [sometimes listed as “
Cast “Rom”/Romano Kristoff (Det. Nick Carpenter), “Jimi B. Jr”/Jimmy Bridges (Detective Pete Logan), Kenneth Peerless (Fatcat), Mel Davidson (Allan), “Michael”/Mike Monty (Chief Caruso), Anthony East (Carter), Ingrid Erlandson (Stella), Frank “Judas”/Juhas (Scar Face), Warren McLean (Lt. Quinn), [uncredited] Eric Hahn (Police officer)
[NOTE: Bobby A. Suarez disowns the script, and claims producer “Boy” Puzon stole it from him]
Paul Cooke’s review from the Ballistic Blood Bullets blog:
Haunted by memories of
Following tips and hunches
‘Fat Cat’ is the new big boss garnering a reputation amongst the dealers and street pushers. Whilst he eases out the opposition Carpenter and Logan squeeze his operation and Fat Cat takes note of Carpenter. His men pick up Carpenter and girlfriend Stella, bringing them blindfolded to their big boss who makes Carpenter an offer of great wealth to join him. Nick Carpenter is an honest cop but Fat Cat gives an ultimatum to work for him, or work for no one! Carpenter is given five days to give the drug baron his answer, holding Stella against her will and making it perfectly clear what the implications of refusal will be !
With his professional partner Pete at his side Nick Carpenter hit’s the streets for information as to Fat Cat’s whereabouts, and together the duo really kick into Action. Revving things up in a red Ford Mustang, Carpenter and Logan shake things down at a bar where a moment to talk with a drink soon turns into a brawl. Gang cronies try to call in a debt but do not cater for the
When the governors young son is taken hostage for a $2 million ransom Carpenter and Logan again disregard the chiefs explicit order to stay out of it, and set about closing in on the heavily armed abductors in their own inimitable fashion. Holed up in an abandoned multi storied warehouse the gang of abductors are staked outside by the police but are more than prepared as they strike out with heavy artillery, including machine guns and a rocket launcher. The altercation soon turns into a fire powered frenetic free for all, but amidst the distraction Carpenter and Logan set about taking out the bad guys by surprise from within the warehouse. The Action for value exchange here is very rewarding.
All small crimes and drug dealings connect back to Fat Cat, and when Nick and Pete finally catch a guy with inside information as to the crime lords whereabouts the truly Explosive Action kicks into high gear. Employing a personal interpretation on methods of interrogation, used against himself and fellow soldiers in
Fat Cat, a Caucasian version of Barry White, with a line in suits likely picked out at the time by Ray Charles, revels in his king pin position and surrounds himself with a small army of well armed men. Nick and Pete are helicopter dropped into the waters just off shore of the island, kitted out mercenary style, armed to the hilt readied for Action. Two cops back in Action ‘
The two super cool cops soon discover that the island is a huge hording port for drugs and munitions. They set explosives to destroy the lot and set about delivering a personal message to
The bullet laden explosive finale is gung ho greatness, and even has time for the odd moment of welcome wry humour. A nod to Raiders Of The Lost Ark (1981) sees a black clad, sword wielding Ninja, squaring up to Romano Kristoff and a gun. Kristoff’s reaction here, with an immediate response and delivery of dialogue, is classic.
This is Action packed, crowd rousing stuff which delivers entertainment in no small measure. How can you not be thrilled by a film that ends with Romano Kristoff audaciously squaring off against a helicopter ?. It takes a lot of bottle to stop Fat Cat getting the cream!
Review from the Trash-Online catalogue:
Beautiful, uncut print of this rare Filipino-produced film shot in the