Thursday, May 19, 2011

Bruka Queen Of Evil (1975)

1975 – Bruka (Emperor Films International)

[Philippines release date 18th July 1975; a Hong Kong-Filipino co-production, export title “Bruka Queen Of Evil”]

Director Albert Yu Producer Jimmy L. Pascual [other sources credit Jimmy with Screenplay] Dialogue Yuen Shiao Po Cameraman Leung Kwok Kuen Music Chow Fu Liang Editor Lee Yam Hai In Charge of Production Fely Pascual Production Manager Vic Kwong Assistant Director David Yau Interpretor Teddy Chiu [as Tedmund Chiu] Special Effects Michael Fung Lights Chui Kwok Kuen Makeup Soledad Mauricio Wardrobe Romana Tablate Stills Wong Tit Huang Setting Maurio Carmona Props Ng Chau Electrician Tiburcio Pacia

Cast Alex Lung, Rosemarie Gil, Etang “Ditched”/Discher (Bruka), Sandra de Veyra, Yukio Someno, Anthony Lee, Michael Kwan, Charlie Davao, Connie Angeles, Darius Razon, Tintoy, Matimtiman Cruz, Roldan Rodrigo, Bruno Punzalan, Greg Lozano, Ramon D’Salva, Pedro Faustino, Alfonso Carvajal, Eileen Montinola, Ben Manalo, Michael de Mesa, Rocco Montalban, Kristina Kasten, Sancho Tesalona, Eddie Nicart, Jimmy Cruz, Gigi Vellasenor

Review by Andrew Leavold

Back in 1974, a Filipino producer named Jimmy L. Pascual ended his two year run of Hong Kong-based kung fu productions and brought his film outfit to the Philippines to make a film called Devil Woman. Essentially a chop sockey cashing in on the kung fu craze like Pascual’s previous films (The Bloody Fists [1972], The Awaken Punch [1973] amongst others), Devil Woman is a rudimentary revenge saga with fantastic elements and snake motif, a familiar ingredient in Asian horror. Despite the regulation atrocious dubbing and wooden dialogue, Rosemarie Gil is positively regal as the snake-haired queen seeking revenge on the townsfolk for burning her parents alive, and the film was a minor hit, even receiving a theatrical run in the US, and has retained a small fanatical cult following thanks to Quentin Tarantino’s regular screenings.

For years, fans of Devil Woman saw posters for a film called Bruka Queen Of Evil featuring Rosemarie Gil’s distinctive coiffure, and assumed it was one of Devil Woman’s numerous export titles. When a trailer finally appeared, the Devil Woman herself, Manda the Snakewoman, was indeed in the film – but with entirely different footage of bats, walking trees, and an army of little people. Was this the Filipino cut of Devil Woman for the local market merely redubbed and resold, or an entirely different film? Alas, no version of Bruka could be found, even amongst the most intrepid of Asian collectors.

Imagine my surprise, then, to discover a copy of Bruka Queen Of Evil last month in my post box. Ten minutes later, I can confirm Bruka is no Devil Woman. Although made by the same production team and with many of the original’s cast, its immediate sequel Bruka is an entirely different creature. A quantum improvement on Devil Woman, the film throws open Manda’s own personal narrative, giving her both a legacy and a destiny, and adds a new protagonist’s magical quest against a seemingly improbable array of oddities.

Bruka begins as Devil Woman ends, with Manda engulfed in flames as she falls over a cliff. Miraculously she survives, and wakes in a cave next to a white-haired hag and a cadre of dwarves. “I’m your grandmother,” the hag Bruka declares, and to prove the point, unfurls her fifteen-foot snake body. She then shows Manda flashbacks to her birth in a crystal ball, revealing Manda’s mother to have chosen a mortal husband over her reptilian heritage. Manda’s so happy at the family reunion, she literally dances for joy! Surrounding her is a brand new arsenal for her protection: bats, rock creatures, tree-men, and shape-shifting dwarves into snakes. Veteran contrabida Charlie Davao is the test case, a poor villager who sees a figure under a sheet in his yard. It turns out to be a wooden cross covered in reptiles who almost drown him in venom. And with that, the Devil Woman sequel has already shape-shifted itself to the next level of weirdness.

Grandma Bruka now gives her granddaughter a special gift – a black stone which turns her head full of angry snakes into human hair for as long as she keeps the stone in her mouth. To test the theory, she goes for a jungle stroll and kisses the first unfortunate hippie with a guitar who stumbles upon her. Spitting out the stone, the snakes pounce. Exssssscelent! In Bruka, Manda is no longed killing simply for revenge, and is instead awakening her true inner evil, and exploiting her outward normalcy to indulge her more primal, destructive instincts.

In Bruka, Manda faces a new antagonist in the shape of poor and angry Chinese Hong Pin (Pascual’s kung fu kicking regular Alex Lung). He takes on the job of finding rich Mr Tony’s daughter Louisa to buy food for his ailing family. In an eerily effective sequence he walks into a village obliterated by Manda’s snake scourge, bodies strewn everywhere covered in flies and bite marks, and he helps bury the bodies alongside a priest (Ramon D’Salva) and his hunchbacked assistant. The forest is full of peril, warns the hunchback, and Hong Pin must seek a hermit’s help. And as if on cue, Bruka’s dwarves burst into the church, dissolve into snakes and cover the priest and cripple. With the hermit’s rope-belt-turned-into-a-pole, Hong Pin makes his way through hostile territory, through all manner of creatures, to the cave containing Louisa and her virginal companions, all ready to be sacrificed to the Snake Queens’ insidious blood cult.

Pascual’s Philippines output for his Emperor Films International included another starring role for Lung, Dragons Never Die (1974), released in the US on a double bill with Devil Woman, and three Tagalog horror films released in 1975 alone for the local market (Isinumpa, Pagsapit Ng Dilim and Pandemonium: Lupa, Langit At Impiyerno). But if there was ever destined to be Filipino Lords Of The Rings with evil, fondling, Riverdancing hobbits and bleeding trees, this is the one film to rule them all. Those with a snake phobia, BEWARE; those with eyebrows ready to be raised and a keenly-honed appreciation of the absurd, enjoy, and I’ll see you at Ermita’s all-dwarf bar Hobbit House for after-movie rum cocktails.


  1. Amazing stuff -- I can't believe a copy of this finally surfaced! Judging by the onscreen subtitles, I'm guessing this comes from a HK tape?

  2. Hi Bruce - incredible, eh? I have a sneaking suspicion it was telecined from a rare 35mm HK print. As far as I can tell it hasn't been released anywhere on VHS.

  3. Outstanding good news! Glad to see this mystery finally cleared up.

    I'm hoping someone will be brave enough to update the IMDb listings for these two films.

  4. My god in heaven I need a copy of this!! Please any one where the heck can I get it??

  5. Here's some info on the copy you have: It came from the film's producer who gave a vhs copy to one of the actors from the film. The actor then gave his copy to Toby Russell who then finally sold a dvd-r copy to the guy who made you a dvd-r copy. No shit! Haha. But which print the film's producer copied from I don't know. Could very well be a HK print as it has Chinese and English subs.

  6. Andrew:

    Funny how both DEVIL WOMAN & BRUKA's synopses reflected Mars Ravelo's DARNA (vs. Valentina, the snake-head villain). Even Etang Discher's character is obviously copied from that 1950 Filipino movie. There's just too many familiar elements in both Devil Woman & Bruka that are so similar with Darna. In that old film, Valentina the snake-head also fell off a cliff. There's also the revenge against the townspeople. Even the idea of the stone placing in the mouth of Rosemarie Gil is also familiar as Narda (Darna's alter-ego) had to swallow a tiny meteorite to become Darna. Though I must admit that in the more sinister side of the Filipino society, we have people who keep something similar, a stone, that gives the owner some evil power. However, this stone had to be handed down to a son or daughter, when it's time for the owner to die, or the owner will suffer a long, agonizing death. But, that's another story that perhaps should be tackled in another horror flick made in the Philippines :)

    The main reason I bought these two film features is the Kung Fu part. Combining horror and kung fu actually works quite well. Devil Woman is available for ordering, but Bruka is only found in the bins of movie pirates in Quiapo, Manila. That's where my friend found a copy and sent to me.