Showing posts with label Eric Hahn. Show all posts
Showing posts with label Eric Hahn. Show all posts

Saturday, May 30, 2009

Ultimax Force (1986)

1986 – Ultimax Force (F. Puzon Film Enterprises Inc)


[sometimes listed as “Ultimate Force”; released in Germany as “Ruckus 2: Unternehmen ‘Condor’”]


Director “Wilfred”/Willy Milan Writer “Joe Avalon”/Jose Mari Avellana Producer "Pierre"/Pio C. Lee Executive Producer Conrad C. “Boy” Puzon Cinematography Joe Tutanes Music Willie Cruz Editor Mark Tarnate Supervising Film Editor Amang Sanchez Casting Director Noel Mallonga, [uncredited] Eric Hahn Production Design Ronnie Cross Art Director Benjie Kamaya Special Effects Edilberto Naelgas Sound Supervisor Rolly Ruta Sound Effects Editors Jun Cabrales, Rudy Cabrales 1st Assistant Director Rick Tarmann 2nd Assistant Director Febe Matthew 1st Unit Cameraman Rambo Bautista 2nd Unit Cameraman Roy Sangco Script Continuity Joyce Almazan Production Manager Tiny Romero, Glenn Parian In-Charge of Production John Leoncio Stunt Coordinator Roland Falcis Wardrobe Alex Argente, Rosemarie Bell Makeup Francis Perez Props/Setting Danny Javier, Waldo Masconie Transportation Manager Arthur Amarante Location Manager Albert Amarante


Cast Arnold Nicholas (Chris Burton), Jeremy Ladd (Dick Foster), Patrick Scott, Vincent Giffin, Eric “Hahns”/Hahn (Lloyd Mitchum), Rey Vhen (Colonel Minh), Vivian Cheung, Henry Strzalkowski, Ronnie Patterson (Dr Death), Kermith Simpson (Captain David Morgan), Audrey Miller (Audrey), Sauro Cotoco VC Officers Arthur Tien, James Yu, Yan Tuyen, Alfred Wong DEA Agents Tony Williams, Joe Collins, Andy Roberts, Steve Rogers Master Joe Gruta Monks Koji Sakada, Akiko Kawasi, Tony Kawasi, Andy Matsuka VC Soldiers W Stuntmen, Shadow Stuntmen [uncredited] Brad Collins, Debbie Henson


Review from the “Return Of The Ninjas” website:


Tagline (taken from the UK DVD): Missing in action and presumed dead, Captain Dave Morgan turns up alive in a Vietnamese prisoner of war camp. He has been able to send word out – but help better came quickly before the sadistic Colonel Minh, who runs the hellish internment stockade, succeeds in breaking Morgan’s body and spirit. Getting into Vietnam through the backdoor is easy enough, with the help of gunrunning soldiers of fortune but trying to ferret out the phantom POW camps, rescuing half dead prisoners and getting them out of ‘Nam is a pipe dream. No one has ever escaped from Colonel Minh’s hell hole and lived to tell the tale. That’s the kind of challenge Chris Burton and his boys look forward to. The Ultimate Maximum. Armed with their Ninja skills, forged on them by their Sensei Hiroshi; thirty-sixth direct descendant of the Iga-Ninja, Chris Burton, Dick Foster, Bill Norton and Mike Dobson form what mercenaries dub ‘The Ultimax Force” – what Colonel Minh will call the ‘Curse Of The Foreign Devils’. Fate has destined this final confrontation between Burton and Minh and there is no stopping now, the one-on-one that began years ago in the jungles of ‘Nam is now about to resume. Try as he might to prevent it by moving camp and sending out his elite blocking forces against the rescue party, Minh realises that his time is running out and that the unfinished duel between him and Burton will have to be brought to an end – death to the loser…


Aaaahhh… the 1980s! The sheer unbelievable Ninja craze! More cheap but cheerful Namsploitation flicks you can shake a severed foot at! Insane post-nuke mayhem! Yeah, those were the days… Enter Wilfred (aka Willie) Milan. In 1986 the auteur behind such cinematic Filipino gems (well, not really) as MAD WARRIOR (1985) and W IS WAR (either 1983 or 1986 – depending on which source you believe) – two lesser known entries into the crazy post-nuke cycle initiated by George Miller’s MAD MAX 2 – THE ROAD WARRIOR (1981) – tried his hands on a movie that mixes two of those very promising subgenres in order to make some quick cash. It’s Ninjas in Vietnam this time, and although this sounds too good to be true, ULTIMAX FORCE falls a bit short of my expectations. Perhaps you remember Cirio H. Santiago’s hugely entertaining action nonsense NAM ANGELS (aka HELL’S ANGELS IN VIETNAM, 1989), that has got quite a similar concept, but is ultimately more satisfying. In Santiago’s case a few ultra-tough members of the rocker gang Hell’s Angels go to Vietnam to rescue a bunch of prisoners, and this film works so well because no one (neither the makers nor the cast members) takes this ludicrous concept too seriously. By way of contrast ULTIMAX FORCE seems to be deadly serious in all respects. It tells the story of four Ninjas who search for one of their friends who is held prisoner in Vietnam by a sadistic camp commander. Will our tough-as-nails heroes manage to free their friend before he rots in one of those dirty hell-holes? Much to my surprise they fail, thanks to the evil Colonel Minh who prefers shooting his prisoners before the rescue team arrives, but that’s about the only original point in this cliché-ridden, lowbrow action flick. The characters are so extremely one-dimensional (particularly Arnold Nicholas as stone-faced leader Chris Burton and Rey Vhen as mean, arrogant Colonel Minh) that they make John Rambo look like the most complex character on earth.


Produced by Pierre C. Lee and written by Joe Avalon, ULTIMAX FORCE is at least good if dumb fun, provided that you lower your expectations immensely. PLATOON (1986) it ain’t – it has much more in common with the MISSING IN ACTION trilogy (1984 - 1988), only cheaper, sillier, and less spectacular. So our Ninjas (who have really cool names like Chris Burton, Dick Foster, Bill Norton and Mike Dobson) stroll through the jungles, talk stupid things and bump off Vietcongs by the dozens. Not in that order, necessarily. Mostly they rely on their machine guns to wipe out their enemies, but sometimes they also use grenades, chains and – of course – their swords. There are a few shootouts (often spiced up with the sight of unfortunate men being riddled with bullets), punch-ups, fights and explosions, but it’s neither spectacular nor the least bit memorable. Sure, it’s entertaining, in a naïve, trashy way, but it’s far from being great. At least ULTIMAX FORCE is a real Ninja movie, in contrast to all those chaotic Joseph Lai/Godfrey Ho/Tomas Tang patchwork flicks. The British DVD has got a very poor picture quality, and – to add insult to injury – it is supposed to be cut too! ULTIMAX FORCE was also released on tape in Germany on the Mike Hunter label under the title RUCKUS 2 – UNTERNEHMEN: “CONDOR”. For whatever reason they wanted to make us believe that it is a sequel to the action flick RUCKUS (1981) that stars Exorcist-babe Linda Blair. ULTIMAX FORCE is good, undemanding fun, shot on a low budget, with no redeeming values whatsoever. In other words: eighty minutes of stupid entertainment, no more, no less.


Sic Coyote's review from the Internet Movie Database:


The scrolling text at the start of the movie gives a background story very much like Cobra Mission. POWs are still being held in Vietnam and being killed & tortured all the time. So a crack team of ninja commandos (sic) are sent off to bring one of their friends back who's still being held captive. After gathering the information and equipment they need they are flown out and set on their quest to free the captives.


The film starts up with some very cheap titles and music with is kind of cool really(in my opinion) quite like Bad Taste's score. Then we get treated to a quite well choreographed ninja fight sequence with kitanas. Although not making to much sense it does serve as a nice intro to the film. Then we have the rest of the film of them going through jungle shooting up the enemy jumpin about and throwing grenades. There's action, treachery, more action, more treachery which all leads up to a literally explosive conclusion.


This is a quite fun film, although not brilliantly done it manages to fill itself out with plenty of varied action and you don't get bored watching it. Plus unlike quite a few films the ending is not a total let down but actually is very cool.


I've never seen this available on video anywhere except for the one copy I have so I'm guessing that it's quite obscure, one to add to my list of totally obscure (English language) films. See this if you can and if you don't expect to much from it, you'll have a good time. 8/10

Friday, May 8, 2009

Fist Of Glory (1991)

1991 - Fist of Glory (Davian International Ltd)


Director/Writer “Jo”/Jose Mari Avellana Producer David “Hunt”/Hung Executive Producer Anjantre “Hunt”/Hung Associate Producers Andy Andico, Vivian Andico Music Héctor Pedero Cinematography Ricardo Remias First Assistant Director José Torres Second Assistant Director Vic Chapman Technical Supervisor Arnold Alvaro Production Manager Glen Parian Art Director Noel Ribaya Production Assistant Rene Riyos Location Manager Joey Crame Still Photographer Ted Bamo Special Effects Marco Baker Makeup Norma Torres Casting Director Eric Hahn Wardrobe Ron Henri Tan, Rosemarie Sangco Set Dressers Bernard Pangilinan, Julio Tapas Propsmen Max Paglinawan, Lito Estacio Camera Operator Antony Smith First Assistant Camera Rene Pacheco Second Assistant Camera Rey Dumigpi Gaffer Procing Lazaro Film Loader Keith Kleiser Production Soundman Danny Bulatano Boom Man Ding Dumigpi Chief Electrician Antony Isaacs Electricians Philip Lyne, Alexander Kleiser, Ron Mitchell Key Grip Jack Dona Grips William White, John Juson Utility Bill Morris, Neil Bozzone Stunts Fred Turman, Larry Solomon, Gary Sanders, Jack Morgan


Cast Dale “Apollo” Cook (Jake Reynolds), Maurice Smith (James Lee), Robert Marius (Max Gunther), Bob Larson (Mad Dog Dugan), Eric Hahn (O’Leary), “Chris”/Kris Aguilar (Leung Ta), Tony Cooper (Fixit), Engel Wilson (Ducmai), Geno Bolda (Nichols), Tonichi Fructuoso (Sparky), Jim Moss (Daniels), Joe Fischer (Lester), Ernie Santana (Marty) Fighters Ernie David, Caloy David, Jon Johansen, Ned Hourani, Israel Ong Vietcongs Fred Esplana, Gil Bandong, Nelson Tan, Chito Fulliman Bodyguards Keith Nielsen, Philip Gordon, Willy Romero, Raymond James, Andy Joseph Dancers Cherrie Fernández, Mylene Flores Knife Fighter Jay Rames Ring Announcer Peter Ching Black Skull Guys Judd Craig, Joseph Al, Mike Anton Merchant “Ed Gaerland”/Eddie Gaerlan High Rollers Evertus Franceis, Dave Allen, Dieter Gruenberg, Kit Williams, Johnnny White, Tom Folks, Dave Davis, Lou Degg Mad Dog’s Guards Roland Belaro, “Nas Espinoza”/Nash Espinosa, Die Guerrero, Johnny Koa

Violent Zone (1988)

1988 - Violent Zone (John Garwood Productions/Arista Films)


Director/Producer John Garwood Story/Screenplay John [A.] Bushelman, Daved Pritchard Executive Producer Louis George Associate Producers William Rowland, George Lorenzana, Dr Enrique Macapinlac Music Mark Josephson, Malcolm Cecil Cinematography Roger Estrada First Assistant Director “Joe”/Jose Dagumboy Editor Stephen Bushelman Script Supervisors Jim Kelly Durgin, Debbie Tennison Dialogue Supervisor Daved Pritchard 2nd Camera Operators Jess Eribe, Rey de Vera Assistant Cameraman Rodrigo Cabrales Gaffer Angel Ballares Key Grip Jose Cabrales Grips Manolo Rivera, Eduardo Macrohon, Alex Montemayor, Ariel Cabrales Sound Mixer Alejandro Cabrales Mike Man Alfredo Limcuando Electrician Teodorico Rivera Jr Unit Driver/Generator Man Antonio Cruz Stillman Ely Balmeo 2nd Assistant Director Nelson Perez Sia Assistants To Producer Winnie Bronilla, Celso Bronilla Art Director Pete Manansala Assistant Art Director Ed Del Barrio Set Decorators Rudy Palma, Namie Union, Ric Dinosa, Boy Fernandez, Zaldy Acordo Head Propman Malou Diaz Propman Tito Espinos Schedule Master Rene Gracilla Wardrobe Master Alex Argente Tailors Bernie Flores, Dante Garbo Assistant Wardrobe Edwin Alon Alon Make Up Rey Salamat Hair Stylist Rudy Villalon Special Effects Concordio Archay, Joseph Candido, Franco Cusipag, Gaspar Balbaboco Security Sgt Nanding Palleda, Toto Enopia, Nanding Fernandez Transportation Captain Al Tagata Head Driver Maning Opolento Drivers Butch Balmido, Romeo Madreo, Luding Romano, Larry Ebuenga, Freddie de Guzman Utility Men Gener Gonzales, Henry Martin Production Coordinators Jojie Pena, Bill Marva Accountant Rowena Teotuico Catering Marina Bernarte Sound Effects Editor Robert Glenn Negative Cutter Fred Tietsel Assistant Film Editors Elsa A. Abellana, Lucy Fungo, William Rowland


Cast John Jay Douglas (Steve Ryker), “Christopher Weeks”/Jack DeLeon (Charles Townsend), Chard Hayward (Norman McKloskey), Cynthia Killion (Linda Blomberg), Daved Pritchard (Rick O'Brien), Michael Myracle (Doris Del Deccio), Alphonse Walter (Clarence Hartwell), Willie Olmstead (Ronald Cranston), “Joonie”/Joonee Gamboa (Dak), Mark Parra (Young Steve Ryker), Rick Dano (Jack Ryker), Manolo Quequing (Young Mishima), Ken Watanabe (Old Mishima), Eric Hahn (Thompson), Conrad Poe (Pham), Tommy Romulo (Captain Naguro), Bert Cayanan (Bru), Florante Bernandino (Brek), Larry Agee (Chopper Pilot #1), William McDonald (Chopper Pilot #2), David Kater (U.S.M.C. Red Cross #1), Bobby Hughes (U.S.M.C. Red Cross #2), The Golden Doves, The Cats Stuntmen

Sunday, March 15, 2009

Not Another Mistake (1986)

1986? - Not Another Mistake (International Film Entertainment)


[also released on US VHS as "Cross Fire"]


Director/Producer Anthony Maharaj Line Producer Ursula Marquez Executive Producer Gerard (Gerald?) Milton Co-Producer Michelle Marshall Production Executive Dino Stroppa Music Ron Jones Cinematography Johnny Araojo Casting Donald Paul Pemrick Stunt Co-ordinator Glenn Ruehland

Cast Richard Norton (Richard Straker), Michael [John] Meyer (Soleri), Daniel Dietrich (Pappas), “Don”/Donald Paul Pemrick, Eric Hahn (Varda), Wren [T.] Brown, “Steve”/Stephen Young, Glen Ruehland, James Clevenger, Warren McLin, Franco Guerrero, Angel Confiado, Paul Holmes, Judy Green






Sunday, March 8, 2009

Demonstone (1989)

1989 – Demonstone (Eastern Film Management Corporation)


[filmed as Heartstone; released on UK VHS as Deathstone]


Director Andrew Prowse Writers Frederick Bailey, David Philips, John Trayne Producers Antony I. Ginnane, Andrew Prowse Line Producers Clark Henderson, Isabel Sumayao Executive Producer Brian Trenchard-Smith Music Gary Stockdale Cinematography Kevan Lind Editor Michael Thibault Casting Ricky Araneta, Eric Hahn, Rosemary Welden Art Direction Sammy Aranzamendez Makeup Artist Violy Puzon Production Manager Marietta Sta. Juana First Assistant Director Allan Noble Second Assistant Director Gus Alvarez Second Unit Directors Clark Henderson, Michael Thibault Property Master Ronnie Jakosalem Sound Re-Recording Mixer John Brasher, Andy Napell, Lars Nelson Production Sound Mixer Juanito Clemente Music Mixer Jeffrey Kenneth Sound Effects Editor Colin Mahoney ADR/Foley Editors Jeff Mar, Cynthia Merrill Foley Walkers Cynthia Merrill, Sarah Ryan Boom Operator Gavino Pascual Dialogue Editors Bearin Santos, Kenny Weaver Supervising Sound Editor Reinhard Schreiner Music Recordist Dave Ware Special Effects Foreman Ed Sto. Domingo Stunt Co-Ordinator Patrick Statham Stunts Mike Abo, Clarence Antonio, Florante Apostol, Ernie Black, Rene Camba, Edgar Dacara, Heli Danario, Victor Falcasantos, Amado Friginal, Willy Furton, Bong Mitra, Dado Mitra, Ruben Monsanto, Al Nanca, Elpidio Navillon, Jimmy Olazo, Ramon Patawaran, Ely Prado, Jun Reyes, Luis Reyes, Bogs Rosete, Willy Silvar, Toti Tobias, Rudi Villar Gaffer Jhonny Cecogo Best Boy/Electrical Robert Dalawis Focus Puller Daniel Delina Second Unit Gaffer Jun Mirador Chief Lighting Technician Pepito Mirador Best Boy/Grip Ian Orita Key Grip Rufo Orita Second Unit Cinematography Jun Pereira Still Photographer Roger Robles Focus Puller Danny Viray Wardrobe Master Ramon Alonzo Transportation Captain Danny De Leon Production Executive Jack W. Haddox Stand-Ins Eric Hahn, Ned Hourani, Janet Price Prosthetic Artist Starr Jones Script Supervisor Michael Sta. Juana Title Designer Bret Mixon Production Co-Ordinator Marites Mupas Negative Cutter David Parmenter Additional Footage Director Patrick J. Statham Apprentice Editors Richard Villa, Norman R. Walker [uncredited] Post-Production Assistant Victor A. Haddox


Cast R. Lee Ermey (Col. Joe Haines), Jan-Michael Vincent (Andy Buck), Nancy Everhard (Sharon Gale), Peter Brown (Admiral), Pat Skipper (Tony McKee), Joonee Gamboa (Senator Belfardo/Chief Pirate), “Joe”/Jose Mari Avellana (Han Chin), Rolando Tinio (Prof. Olmeda), Marilyn Bautista (Julie), Fred Bailey (Navy Doctor) Crispin Medina, Cris Vertido (Sung Tzu), Noel Colet (Esteban Belfardo), Rina Reyes (Madeleine), Rey Malte-Cruz (Roberto), Lui Katana (Wu), Monsour Del Rosario (Pablo), Symon Soler (R.J. Belfardo), Ryan Abastillas (Street Kid), Jonic Magno (Teenage Shop Worker), Charles Nnebe (MP #1), David Anderson (Gunnery Sergeant), Eric Hahn (Pilot)

Friday, February 13, 2009

No Dead Heroes (1987)

1987 - No Dead Heroes (Cineventures Inc/Maharaj-Miller Film)

[Filmed in 1985 as "Blood Machines", distributed with the assistance of West Indies producer Anthony Mahiraj. Released on French VHS as "Commando Massacre", on Danish VHS as "War Machine", and on German VHS as "Geheimcode Leopard"]

Director/Producer “J.C. Miller”/Danilo Cabreira Story/Screenplay “J.C. Miller”/Danilo Cabreira, Arthur N. Gelfield [Nick Nicholson also helped with the script] Executive Producer Marciano Jao Cinematography Freddie C. Grant Music Marta M. Wellman Editor Edgar Vine [is it Edgardo “Boy” Vinarao?] Rerecording Mixer Mark Ruta Set Director Arthur Gelfield Art Directors Donnie Gonzalez, Ramon Nicdao Assistant Director Joel Freeman Production Manager Antonio Ramm Stunt Coordinator Val Morris Casting Directors Paul Vance, Daniel Zale Dialogue Coach Nick Nicholson Field Cashier Albert Arte Special Effects Jun Rambell Sound Effects Editors Cabrales Brothers Makeup/Prosthetics Cecille “Bann”/Baun Assistant Makeup Violy Puzon, Babes Gales Script Supervisor Asset Bernabe Schedule Master Rene Gracilla Stills Roger Bles Gaffer Angel Ares Assistant Editors Bagani Celis, Tom Rao Propsman Roy Bern Property Custodian Jess Gamon Transportation Captain Ding Samonte Wardrobe Manny Long Wardrobe Assistants Voltaire Ramiro, Raffy Evangelista, Fred Brown, Blanca Grepe Meal Checker Jessie Aguilar Utility Freddie Gallope, Greg Ray Caterer Greggy Reyes, Lo Leng Assistant Cameraman Roy Sangco Field Soundman Rudy Teope Loader Jojo Mariano Boomman Genex Vale Lifter Tom Dox Electrician Edd Quin Crew Rudolph Bill, Al Alvarez, Jose Llames, Abe Valdez, Gilbert Green Generatorman Jim Kell

Cast Max Thayer (William Sanders), John Dresden (Harry Cotter), Toni Nero (Barbara Perez), Nick Nicholson (Ivan Dimanovitch), Mike Monty (Frank Baylor) [listed as “Mike Monte” in the opening credits], Dave Anderson (General Arthur Craig), Dann Oliver (Montagnard), Rex Smith (Montagnard), John Carr (Camp Commanding Officer), Danny Bell (Vietnamese Officer), Paul Vance, Bill James Haverly Green Berets Steve Rogers, Ronnie Patterson, Warren McLean, “Erik”/Eric Hahn, Gerald Tosco, Joseph Collins, Harry Lausman


Review from the Ruthless Reviews website:

Matt Cale is our hero...

Tagline:

Mission: Terminate the KGB Jungle Experiments.

Goal: Destroy the Human Killing Machines.

Order: Leave No One Alive!

Entire Story in Fewer Words than are in this Sentence:

Crazed KGB agent brainwashes Green Beret; hundreds perish.

Homoeroticism:

Disappointingly, none to be found. The only thing that came close was a camera shot through a beefy man's legs. Still, in a Death Wish sort of way, the message is sent that if you love a woman, she will eventually get shot.

Corpse Count:

This film was a fucking bloodbath! A whopping 237 people were killed for my entertainment. Here's the breakdown: 101 Yellow Bastards, 93 Latin Devils, 25 Atheistic Russkies, and 18 Innocent, Noble Americans.

How Bad Was it Really?

If budget, effects, acting, script, and story aren't a concern, it's not half bad. Among the more insipid elements:

The KGB agent (Ivan Mitovich) has the sort of accent you'd find in Montgomery, Alabama.

The exteriors were clearly shot in the director's backyard.

The soundtrack is so inappropriate that during scenes of extreme violence, the film could have been mistaken for a wacky comedy.

A sign posted in the Soviet Union says "USSR," despite the fact that "CCCP" would have been the more accurate designation.

After Vietnam vet Richard Sanders says to the head of the CIA, "Fuck you, Baylor, I'm not one of your pawns anymore," he actually picks up a pawn from a nearby chess board and throws it at the director's chest.

The editing is so poor that characters are often cut off in mid-sentence.

Sanders is fucking a double agent from El Salvador less than 24 hours after watching his entire family murdered before his eyes. The next day, he says that he loves her.

That same sex scene is one of the least erotic and most pointlessly overlong in cinema history. And if I'm not mistaken, that's Gloria Gaynor on the soundtrack.

In all, I've rarely been exposed to a film of this supreme incompetence. It's so cheap and so badly dubbed in parts that it took all of my power to stay away from the stop button. Thankfully, I just might be the only person alive to have seen this piece of shit.

Post-Mortem One-Liners:

The cigar-chomping KGB cracker fires off, "Nobody spits in my face goddammit! Nobody!" after putting a bullet in an American POW's heart.

Stupid Political Context:

Despite the ultra-cheap surroundings, the typical Cold War rhetoric spilled out. Russians are uniformly portrayed as sadistic tyrants who hate God and love to watch free people suffer and die. And of course, all Latin American activities are being directed from Moscow. Communists also enjoy raping old women, butchering young children, and burning the houses of the non-compliant. The fierce American hero of the film even states at one point, "We go to sleep, Communists will steal this world as sure as thieves in the night." But what's with the CIA director who looks like Hugh Hefner?

Novelty Death:

A POW is burned with cigars and has his fingernails pulled out until he dies of shock; a Vietcong soldier is shot in the crotch with an arrow before falling to his death; and a man is shot in the chest while walking across a bridge, pausing only to stabilize himself on the railing with his left hand, before jumping over the side.

What You Learned:

Greasy, pot-bellied Latin American thugs ejaculate after only 30 seconds of fucking, while virile American studs are able to last for hours. And to think that I had always dismissed the rumors of a Guatemalan grandfather...









Mannigan's Force (1988)

1988 - Mannigan's Force (FLT Films International/Moredel Films International)


[A Filipino production made for the export market, released on Dutch and Swedish VHS as “American Wardog”]


Director "John R'yan Grace"/Tata Esteban Screenplay "Joseph Le Carre" Additional Screenplay James Gaines [Jr], "John R'yan Grace"/Tata Esteban Executive Producers Delza V. Lazatin, Rose Loanzon Flaminiano Cinematography Ver Dauz Music Jaime Fabregas Editor Ronald Santillan Sound Supervision Silvio di Santi, William Light Sound Effects Editor Bert de Santi Field Soundman Bing de Santi Art Director Judy Lou de Pio Production Designer Brillante Mendoza [as Dante Mendoza] Production Coordinator Harry Leone Associate Director Pepito Diaz First Assistant Director Mary King 2nd Assistant Director Bric Harrison Production Supervisors Lydia Leone, Jhet Peters Dialogue Coaches Richard Driscoll, Gabriel Terry Acting Coaches Pierre Lamange, David Wright Talent Coordinator Edd Saveittsen Schedule Master Raoul Seguerra Prop Masters Rick Suede, Jake Pena Set Dressers Jude Quinto, Radji Avila Special Effects Rolly Sto. Domingo, Roland Salem, Edd Bale Stunt Coordinator Ben Romano Stunts Dan Bell, Ed Boyce, Ron Norton Wardrobe Oscar Manzano, Frank Shore Makeup Artists Lou dela Pena, Virgie Miro Camera Operators Sergio Castro, Val Dauz, Raymond Ford Camera Assistants David Leone, Johnny Sevilla, Dan de Castro Boom Man Andres Navarro Assistant Editors Dan Ford, Edmund Piper, Allan Borge Negative Cutter John Zafra Stills Wilmore Barry Titles/Opticals Ronald Santillan, Rudolf Winkler Gaffer Mike Vega Lifter Terry Prado Clapper Ben Zacara Dollyman Peter Mirador Grips Alex Castro, Adolf Pascua, Arnie Todd Unit Drivers Edwin de Lara, Peter Pascua, Adolf Hammer


Cast "George Nicholas"/Georgio Albergo (Jack Mannigan), Eric Hahn (Roberto Aranda), Mel Davidson (Tim Ross), Tsing Tong Tsai (Hang Sang Kook), Jeff Griffith (Howard Smith), Jim Moss (Bill Peters), David Anderson (Frank Stack), “Khorshied”/Khorshield MacHalle (Lucrecia), Anthony East (Randall), Mike “Monti”/Monty (General Alfuero), Doc McCoy (General Bradley), Gabriel Terry (Diaz), Gerard Donlon (Hernandez), Oscar Daniels (Alcazar), Mark Coaster (Augusto), Anthony Tanner (Padre Antonio), Andrew Joseph (De Leon), Eduardo Villapol (Robles), James Gaines (TV Newscaster), Elizabeth Dane (Girl Hostage), Eddie Gaerlan (General), Ruben De Castro (Paolo), Sally White (Newspaper Clerk), Gary Penny (Club Floor Manager), Silvio D'Santi (Church Sacristan) Syndicate Members Frank Campbell, Tony Collins, Brad Peters, James Hun Chu, Peter Crestell, Howard Kane American Gunrunners Joe Little, Ron Roberts, Jigss Bauer Club Bouncers Roy Williams, Fred Jackson Club Dancers Marilyn Diaz, Michelle Daniels, Liza York Club Girls Betty Brown, Alice Goldwyn, Cynthia Dixon, Susanna Dale Village Guides Danilo Prado, Pedro Sánchez Foreign Correspondents Margie Young, Cherry White, Luisa Terry, Ron Gabol, George Smith, James Gardner, Alfred Pearson, John Small, Ted Baker, Richard Snow Kidnappers Frank Bergen, Joe Watts, Harry Holmes, Rick Rogers


NOTE: According to Jim Gaines, the film was a co-production between FLT Films and Motion Picture Lab, owned by the Lazatin's former partners of LVN pictures; Cherrie Pie Lazatin ran the studio.


Gunter Mueller’s review at AV Maniacs forum:


This violent actioner (known in Germany as AMERICAN WARDOG, suggesting it's a sequel to the Swedish WAR DOG) was apparently shot in the Philippines and tells the story of a group of mercenaries who are hired to free four American prisoners in a rebel-infested country. Little did they know that they are used for an entirely different operation...


The first 15 minutes of this flick are insane: first the mercenaries attack a village and kill everyone in sight with their guns and bombs. There's a jaw-dropping stunt sequence where a tower explodes and out of the explosion (in a few metres height) jumps a burning man. Holy shit! After the village is wiped out (dozens of men are dying in hails of bullets - nice squib F/X) the mercenaries return to their hiding place in order to celebrate their victory. The enemies strike back with a vengeance, mercilessly killing as many as possible. The bodies of young children are riddled with bullets, and in one ultra-nasty moment a small boy is shot in the head, with blood spurting out of the wound.


But with this, it seems, the movie has shot its powder. Because from then on it's just average low-budget action stuff, albeit with a few interesting twists and turns. Mike Monty co-stars as the villain, while George Nicholas (Giorgio Albergo?) stars (not too convincingly) as the titular Mannigan. The director is John R'yan Grace... never heard of him.


Still, all in all it's a pretty good and very violent action flick, well worth checking out. If you should happen to stumble upon it, I advise you to rent or buy it cheaply.


Review from the Crustacean Hate blog:


The place: the fictional Central American country of Cenagua (played by the Phillipines). The time: 1984 (played by 1988). In an opening scene familiar to most aficionados of war movies and/or gay porn, a group of hairy, muscular, armed men creep through the steamy jungle. The most hairy, muscular and armed of them all is Jack Mannigan (George Nichols). He and his force (ie Mannigan's Force) are helping a rebel group mount an attack on an enemy encampment and they must be really good because there's over a dozen of them crouching in open sight no more than 20 meters from the base and they aren't even spotted.


Mannigan leads the attack, leaping into the fray while screaming and blasting away with his huge, overcompensatory gun. The ensuing attack is full of bloody, Sam-Peckinpah-esque slow motion kills and burning bodies leaping out of exploding guard towers. I counted at least 90 kills, and most of them can be attributed to Mannigan himself, who mows down soldier after hapless soldier with an M16 in in each hand. This is strictly a shooting gallery style affair, with enemy soldiers completely forgetting they are armed as they run into a hail of gunfire. Lots of stunts, exploding huts and and bloody squibs. It's a good sequence.


Victorious, they head back to the rebel village. His men celebrate while Mannigan has a heart-to-heart with some local girl he's boning, saying he can't take her with him because he's a free bird and this bird you cannot chay-ay-ange. The next morning the enemy conducts a brutal counter-attack on the village. It's pretty hardcore, with women and little kids getting riddled with bullets in slow motion. Jeez. Mannigan's Force (and his girl) manage to escape the village and eventually find their way back to civilisation.


NOTE: Here's where you should probably turn off the film, because it seriously blows it's load in that opening sequence.


Some time later back in Cenagua, some enemy forces capture a military convoy and take some US hostages. While your standard group of international politicians/businessmen huddle in a briefing room, a guy demonstrates that Mannigan is a "karate expert, vietnam vet, mercenary, all rolled into one". He even includes some handy visual aids; slides of Mannigan posing in a karate uniform, army greens etc. They are all impressed by Mannigan's big muscles and agree that he is the man for the job, so they send a group of armed men to ambush him at home. You might consider that strange, figuring an official letter or polite phone call might be more appropriate, but tough guys like Mannigan and I, the only language we understand is violence. If the conversion doesn't start with a sweaty fist fight and a gunpoint confrontation, then we're just not going to take you seriously.


They offer Mannigan a million dollars, so he reluctantly agrees to the mission and puts out a coded newspaper ad to rally his force. All of his old buddies show up to lend a hand and there's a new guy too, a kung fu expert named Hang. Mannigan is unsure of him at first because he's one of the few men without any facial hair. Seriously, they are all sporting Magnum P.I. regulars. I would have called them Mannigan's Moustache Rangers.


Once they are back in-country they meet their local contact and formulate a plan of attack, but things aren't as simple as they seem. Turns out their chief employer is actually in league with the Cenaguan military forces, and he is using Mannigan's suicide mission as a decoy to placate his fellow colleagues while he trades arms and drugs with the Cenaguan General. Or something, I don't know. There were big chunks of dialogue that were in Spanish and the DVD didn't have any English subtitles (had burnt-in Japanese ones, though). I could tell that the Cenaguan General spoke Spanish phoenetically, which really isn't what you want in a military leader.


Mannigan meets up with his old girl (the only female character in the whole film I think), but she turns out to be a traitor working for the General. In 80s action films, one should maintain a healthy distrust of anything with a vagina. When they finally storm the base about a hundred of the General's soldiers appear out of hiding and I was all geared up for everyone to go out in a Wild Bunch style mass slaughter. Instead Mannigan's girl turns out to be a double agent for Mannigan's Force, taking the General hostage and helping them escape without a single shot fired. Total cinematic blueballs.


During the escape the General reveals that there aren't any hostages and that Mannigan's employer has double-crossed him, so Mannigan drives to the airstrip to confront his employer and plays a game of poorly-edited chicken with his jet. Mannigan barrel rolls to safety just in time to avoid the huge explosion, and then the film immediately ends. We don't find out how he manages to escape the General or his men. There isn't even a scene with Mannigan and his buds lounging by the pool after a job well done. Weak sauce.


The director is some dude named John Ryan Grace who left no corner uncut and spared every expense. The lighting is terrible and the acting is purely amateur hour, especially Mannigan who's displays of table-thumping anger are kind of embarassing. After the brilliant opening I thought I had discovered a lost gem of cheapie war films, but it's probably the worst case of premature ejaculation that I've ever seen. Nothing else in the film comes even a tenth of the way to matching that first action sequence. It's nice of them to put the best bits at the beginning so you don't have to fast forward, but I wish I'd known beforehand so I could have stopped watching about 15 minutes in.


Review from The Movie Machine blog:


How many tough son of a bitches do you know named Jack Mannigan. I didn't know any until watching this low grade man on mission action flick. But I do now! This guy Jack Mannigan is one tough hombre. How many guys can fire an M16 machine gun in one hand and an uzi in the other, all while shooting every target in site and screaming "Aaaagghh!" JACK MANNIGAN that's who! How many guys do you know that are bonnafide special ops killers who can break you're neck with just one snap? JACK MANNIGAN that's who! Who's the cat that won't cop out when there's danger all about? SHAFT, JOHN SHAFT! Oh, wait a second, were talking about MANNIGAN, JACK MANNIGAN that's who, I'm sorry I got my movies confused. When you watch as many movies as me, it's bound to happen sooner are later.


Anyway, I know I've been kissing Mannigan's ass for the most part, but let me tell you why this SOB is such an efficient killing machine. For one he's got this cool ass beard, it's no Chuck Norris but it'll get the job done. Second he's proficient in martial arts, like I said he's no Chuck Norris but he'll do in a pinch. And third who looks more stoic while delivering ass kickings to renegade terrorists? Chuck Norris oops, I'm mean Jack Mannigan. Let's face it these two have a hellava lot in common. They both fire two guns in each hand, (Chuck Norris straps on two uzi's in INVASION USA) they both have facial hair, and both hate commie scum. Well I know Chuck hates commies (he proved that in INVASION USA) so I guess Mannigan does to. All we get from this movie is that Mannigan (played by George Nicholas by the way) goes to some South American country to rescue some prisoners who are held captive. He recruits his old team of mercenaries to be his back up, and they go and raise all kinds off hell. We get all the usual antics, as Mannigan and his mercs, blow up random bullshit, shoot any civilians that gets in their way and act like general hard asses. After a second rate Sam Peckinpah opening sequence it loses it's fire and bogs down in the middle part of the film but redeems its self at the end with numerous baddies being mowed down by our hairy hero taking no prisoners, so if you want to leave your logic at the door for about ninety minutes or so you'll enjoy this action no brainer!


The Secret Of King Mahi's Island (1988)

1988 – The Secret Of King Mahi’s Island (Solar Films International/FLT-Moredel)

[released on Spanish VHS as “El Secreto del Tesoro”]

Director Leonard Hayes, [uncredited] James Gaines Story Concept William Timmerman Screenplay Eric Hahn Additional Screenplay Leonard Hayes, James Gaines Producer Rhoda L. Freemont Executive Producers Rose Loanzon Flaminiano, Delta V. Lazatin, Donald Davidson Music Mon del Rosario Editor Ronald Santillan Cinematography Joe Tutanes Sound Supervision Silvio de Santos Jr, William Light Casting PEC Casting Ltd Production Design Dante Mendoza Art Direction Don T. Menders Production Manager Lydia de Leone Controller/Production Supervisor Jhet Peters Assistant Director Fred Cummings Preproduction Co-ordinator Dana Dalton Production Co-ordination Arleen de Leone Post Production Supervisor Marie Jessamine Lazzare Sound Effects Editor Gilbert de Santos Set Supervisors Tony Bright, Bill Hawkins Property Masters Jon Cajun, Ric Century Wardrobe Masters Oscar Manzano, Randy Grasse Set Dressers Joe Tex, Radji Abdul Anvil Makeup Artists Virgie Miro, Beth Hammond Assistant Film Editors Dan Ford, Edmund Piper, Allan Borge Negative Cutter Hero Kings Stills/Photos Wilmore Barry Titles/Opticals Rudolf Winkler, Ronald Santillon Special Effects Danny Torrente Talent Co-ordinator Edd Saveittsen Schedule Master Chris Monarch Stunt Co-ordinator Ben Romano Stunt Performers Ed Boyce, Dan Bell, Ron Norton Field Soundman Bing de Santos Unit Sound Man Willie Anton Cameramen Julian Zorre, Henry Richards Gaffers George Tutanes, Ace Romulade Lifters Gerry Proud, Anthony Schroeder Clappers Tony Lolla, Steven Frost Grip Men Richard Oppenheimer, Alvin Horace, Tim Reilly Unit Drivers Randolph Goldstein, Leopold Bruce

Cast Gary Daniels (Chuck), Michelle Frankenberger (Leah), Jerry Bailey (Brent), James Gaines (Tony), Tsing Tong Tsai (Kimo), Kurt Otto Frankenberger (Joe), Anthony East (Ben), Michael James Welborn (Marino), Jim Moss (Bo Browning), Avel Morado (Chief), Alan Klem (Matt), Boy Clinton (Boy), Fred Cominos (Fred), Majid Jadali (Erick), William Romero (Black Legs), Tony Ogunsanya (Tatu), Gomez (Chief’s Right Hand Man), Vincent Okeke (Witch Doctor)


Gary Daniels on “Secret…” from his interview on the Nanarland website:

The second film I did was called The Secret of King Mahi's Island which was supposed to be an Indiana Jones style action/adventure film but it did not go so well. The original director quit after about 1 week and Jimmy took over but there were many problems and the film turned out terrible. It is not surprising and I am glad that it never received a wide distribution.